starts the freak-out well enough with a trio of art school meditations that don't really make much sense singularly, let alone as a cohesive unit. In the first segment, a typical looking young lady pays a visit to a pornographer who, as any good pornographer does, gets her to masturbate on an American flag. Next, a red-headed gal with ropes wrapped around her lays on the rocky shore of a beach, distraught and intent on ending her life. As the tide comes in, said redhead reminisces about past sexual relationships. Apparently, they bummed her out a bit. Lastly, a writer, exhausted from typing, takes a much needed nap. As he sleeps, he dreams of 2 lovely nude cuties running around with each other on the beach who beckon to him. Upon waking, he decides to head out to the beach to get his thoughts straight. While walking the shore, he sees the 2 ladies that he was dreaming of reaching to him from a rocky alcove. He freaks the fuck out and runs straight to the loony bin, where he has insanity drenched sex antics with 2 fellow inmates, who may or may not be the girls he had dreamed of earlier; it's difficult to tell. The end. At 54 minutes, Ramage (Mobility Cathexis) runs a little long, but overall is an interesting watch in its own right.

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After her death, Gabrielle writes a poignant posthumous love letter to her grieving husband, Philippe, who is enduring the family ritual of the funeral alone.

Martina, a 55-year-old neurosurgeon, is happily married and the mother of a teenage girl. She has everything under control — until her best friend’s son sexually assaults her while they’re on vacation together. Seeing only skeptical reactions to the traumatic incident, Martina tries to regain control of her life and her story by any means necessary.

Martina, a 55-year-old neurosurgeon, is happily married and the mother of a teenage girl. She has everything under control — until her best friend’s son sexually assaults her while they’re on vacation together. Seeing only skeptical reactions to the traumatic incident, Martina tries to regain control of her life and her story by any means necessary.

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55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.